(ASCAP)/Universal Music Corp./Avant Garde Music Publishing Inc. Published by EMI April Music Inc./Flyte Tyme Tunes Inc.
Studios, Toronto, CanadaĬontains an interpolation of “If You Were Here Tonight” (M. Music Group & Noah “40” Shebib for Evdon Music Inc. MIXED BY: Manny Marroquin at Larrabee Studios (Universal City, CA), Noel “Gadget” Campbell for T.O. VOCAL PRODUCTION BY: Kuk Harrell for Suga Wuga Music, Inc. Recorded at Westlake Beverly Recording Studios in Los Angeles, CAĭrake Vocals Recorded by Noel Cadastre & Noah “40” Shebib at Sandra Gale Studios, CA & SOTA Studios, Toronto, ON RECORDED BY: Rihanna Vocals Recorded by Marcos Tovar for Allfadersup and Kuk Harrell (BMI) All rights administered by Warner-Tamerlane Publishing Corp.// EMI April Music Inc./Flyte Tyme Tunes Inc. (ASCAP)// Sandra Gale / EMI Music Publishing (ASCAP)// Monica Fenty Music Publishing /Warner-Tamerlane Publishing Corp. PUBLISHED BY: PARTYOMO LTD./Warner-Chappell Music (SOCAN)// 1Damentional Publishing LLC/Sony ATV Tunes LLC (ASCAP)// Ritter Boy LLC / Sony/ATV Tunes (ASCAP)// The Publishing Designee of Rupert Thomas, Jr. PRODUCED BY: Produced by Boi-1da for 1da Boi Productions Inc.
MIX ASSISTANT: Chris Galland & Ike Schultz Larabee Studios North Hollywood, CA MIXED BY: Manny Marroquin at Larrabee Studios (Universal City, CA) GUITAR PLAYED BY: Nuno Bettencourt at Westlake Beverly Studios in Los Angeles, CA Recorded at Jungle Studio in New York City (BMI) All rights administered by Warner-Tamerlane Publishing Corp. PUBLISHED BY: Way Above Music (BMI)/Sony ATV Songs LLC (BMI) // The Glass Is Full/Warner Chappell (ASCAP)// The Kills Effect c/o Songs Of Universal/Warner-Tamerlane Pub Corp (PRS / BMI)// Monica Fenty Music Publishing /Warner-Tamerlane Publishing Corp. Recorded at Westlake Santa Monica in Los Angeles, CA PUBLISHED BY: Stadium Music Publishing// Downtown DLJ Songs (ASCAP)// Almo Music Corp./ Fauntleroy Music (ASCAP)// Monica Fenty Music Publishing /Warner-Tamerlane Publishing Corp. PRODUCED BY: Robert Shea Taylor for Stadium Productions, LLC MASTERED BY: Chris Gehringer at Sterling Sound, NYC MIXED BY: Manny Marroquin at Larrabee Studios (Universal City, CA) assisted by Chris Galland Recorded at Jungle City Studios in New York City RECORDED BY: Vocals Recorded by Marcos Tovar for Allfadersup and Kuk Harrell TDE Music LLC// TDE Music LLC// Monica Fenty Music Publishing /Warner-Tamerlane Publishing Corp. Legal for Westbury Road Entertainment: Edward Shapiro & Tiffany Almy for Reed Smith LLP and your’e available.A&R: Omar Grant, Tyran “TyTy” Smith, Jay BrownĪ&R Coordination: Omar Grant and Jennifer RosalesĬreative Direction: Robyn Rihanna Fenty & Ciarra PardoĬover and Back Cover Poetry : Chloe Mitchell & Robyn Rihanna Fenty You’re no DiCaprio, but you just got a sixty-percent government mandated raise at Carl’s Jr. If she’s into Rihanna’s fuck music, get on that. Now you may innocuously check out her playlist. You used to have to figure out how often a girl went to church to figure out your odds of getting laid. Her core audience hovers around non-intellectually curious high school girls which is only a problem if you’re not a high school boy with a reasonable ability to spot Rihanna fans. It’s not out of context that her albums are almost entirely dedicated to fucking. She jetted into Coachella and grabbed Leonard DiCaprio’s dick and shoved it in her twat. Rihanna’s in her 20’s and fucking the shit out of life.
By your 30’s your married and your dick goes into a sad little box drawing dust in the attic next to your JV wrestling trophies. If you didn’t get laid as a teen, take comfort in the fact you have yet to hit your decade of peak sexual activity. Your 20’s are your golden years of pussy.
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